It’s fitting that the always-futuristic Voivod is featured as my first 2016 review. This is the band’s umpteenth lineup, though, notably, they’ve got their original singer (“Snake”) back in the band, and they’ve always had the same drummer.
I kind of quit on Voivod, ironically, after my favorite album of theirs, Negatron, from 1995. I think what happened at that point was that they became my favorite band, which meant I had to go buy their entire discography. I started with their debut, War And Pain, found it not to my liking, and just walked away, thinking I’d come back at some point, though not 21 years later. Somehow I even missed the entire Jason Newsted era.
Anyway, unsurprisingly, this lineup sounds most similar to the Angel Rat and The Outer Limits entries in my collection. The prominent features are crazy, jazzy chords and harmonies, odd, shifting rhythms, and mid- to up-tempo songs. Actually, it might make more sense to instead contrast this to the parts of their catalog that this doesn’t mesh with as cleanly. It’s not the thrash of War And Pain and it’s not the bombastic uber-metal (I just made up that genre right now) of Negatron.
Two of the tracks here, “Post Society” and “We Are Connected,” were part of a recent split seven-inch. A third, “Silver Machine,” is a Hawkwind cover. In its original incarnation it was sung by Lemmy, and I can’t help but wonder if its inclusion here, two months after his death, is a tribute. Which leaves two new original songs to round out the album, and I think those, “Forever Mountain” and “Fall,” might be the two best, though I waver on that.
This is not guitarist Chewy’s first release with the band, but it’s worth noting that he carries on the legacy of original guitarist Piggy admirably. Voivod couldn’t possibly hire a slouch in that position, but his solos here are well within the vein of earlier releases, as I mentioned, but they also continue to be inventive.
This is a strong release. The chorus of “Fall” gets too whiny and repetitive, and the three other Voivod-penned tracks have exactly one section each that could be trimmed. But at least with a Voivod song if you don’t like one section there are several others to potentially enjoy. Revisiting these guys now makes me realize what a huge mistake it was to, in 1995, jettison them due to their 1984 release. I can’t wait to refamiliarize myself with the many albums of theirs I’ve missed.
- Post Society – This is good, especially the guitar solo, but it’s too long at 6:16
- Forever Mountain – the best track
- Fall – It’s about fall. Also might be using the season as a metaphor for a life stage. Good solo. whiny chorus “Myself is not”
- We Are Connected -released along with “Post Society” as part of a split 7″, making “Forever Mountain” and “Fall” the two new originals here. This is great except for that first slow section.
- Silver Machine – a Hawkwind cover. Originally sung by Lemmy