I remember liking this a lot more.
The band’s last “indie” label release, this one was produced by Jack Endino, who produced about a jillion amazing albums, most famously probably Nirvana’s Bleach, which came out the same year as this album.
Like Bleach, this album has some amazing songwriting, always a strength of Screaming Trees, and also like Nirvana’s first album, this one is best listened to loud. The sound is kind of muddy if you listen to it at lower volumes, but when you crank it up it kind of breaks through into a nice fuzzed out raunch.
Lanegan starts to get amazing here. He screws his voice up and down into all kinds of contortions on “Black Sun Morning,” (which is, along with “Smokerings” from Invisible Lantern, the best song they’ve done to this point) in a way I don’t think he’s even done since.
Here’s a tribute to Screaming Trees: Consider that by 1989, a full two years before Nevermind and Ten and three years before people would actually turn on to those albums, these guys were on their fourth album and had matured into an awesome band. I think I even hear some drop-D tuning going on here…the signature sound of what would be called grunge years later. For crying out loud, this was the same year Melvins would release the ridiculously raw and untamed Ozma.
Anyway, a lot of good songs, but not as many great ones as I remember. I remember “Flower Web,” “Where The Twain Shall Meet,” and “End Of The Universe” all being better than I find them now. On the other hand, I don’t remember “Black Sun Morning” being quite this strong and it’s been a real treat to re-discover “Yard Trip #7” and “Subtle Poison.”
– “Where The Twain Shall Meet,” “Black Sun Morning,” “Yard Trip #7,” “End Of The Universe”
– “Windows,” “Too Far Away,” “Subtle Poison,” “Flower Web,” “Wish Bringer,” “Revelation Revolution,” “The Looking Glass Cracked”
Filed Between: Screaming Trees’ Invisible Lantern and Something About Today
Song Notes: After the jump